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January 13, 2015 in advice to writers, agents, amateur photography, authors, Barnes & Noble, beach reading, bestellers, books, writers, writers' groups, writing, writing accessories, writing business, writing career, writing groups, writing process, writing technique | 15 comments
I have the worst work habits. Sometimes I look at the pile of books I’ve written and I wonder how they got there. Well, the best way to describe it is “word-by-word.” You put down a word. Then you cross it out. Then write a few more. Stare out the window. Wonder if the can opener needs cleaning. Wonder if someone’s having a hissy fit on a social network. Wonder why you thought this was a good idea for a novel in the first place.
Sometimes you have to go to Bali to clear your head and get some serious thinking done:
And, oh, here’s something. I write my first draft in longhand. In a Clairefontaine notebook with a fountain pen loaded with peacock blue ink. Not because I’m quirky but because I think in longhand. And I’m left-handed so ordinary pens smear my hand as it drags across the page, but Skrip peacock blue on Clairefontaine paper does not.
So now what, you ask? After I bleed blue all over the page, I realize there is no backup copy. If I happen to step out for a while, the house might burn down and the only existing manuscript will go up in flames, like Jo’s novel in Little Women. (I didn’t cry when Beth died. I cried when Amy burned the manuscript.) Sometimes I keep the notebook in the freezer, like Tess does with her notes in The Apple Orchard. I figure that’s the last thing that will burn if the house is reduced to rubble.
Eventually, I fill the notebook with about 100,000 words that loosely resemble a novel. Then I have to type the thing up. I can’t use a typist because I tend to revise as I transcribe. Dragon Naturally Speaking voice dictation software works really well for me, provided the dogs don’t go off on me when someone comes to the door. When that happens, here’s what appears on my screen: hep hep hep hep hep hep hep hep hep hep hep hep hep hep.
Oh, and here’s something. I don’t use Word. I know, I’m awful, but my very first writing software was WordPerfect and my brain is stuck with it. I have to have Reveal Codes and anyone who knows WordPerfect knows why. Please, Word, figure out Reveal Codes! F3! Save my sanity!
Then I print the thing out and my writers’ group has a meeting about it. I’ve been in some writing group or other since 1986 and I don’t intend stopping. Magic happens in a writers’ group–critiquing and brainstorming and commiserating and celebrating. My current group consists of the fabulous Sheila Roberts, Lois Faye Dyer, Anjali Banerjee, Elsa Watson and Kate Breslin. We read and talk about each other’s work and I adore these women and I would pledge them my first born child but she is already married with a kid of her own.
Moving right along…I rewrite the book a couple of times. At various stages, it looks something like this:
…and then I send it to my literary agent and editor. We have long deep talks about every aspect of the novel. Sometimes we get together in person and they are smart and kind and supportive and motivating and I thank God they are in my life, and this is why they get stuff like cashmere bathrobes and couture watches at Christmas.
And then I put on the Sweater of Immovable Deadlines and rewrite that sucker again.
And at some point my editor says we’re good to go, and my agent says yippee, let’s send that girl her advance check…
…and I get to go shopping and tell people what a breeze it is to write a book.
Stay tuned. The next installment will take us through the cover design and publication process. Sound good?
Thanks for reading!
Writers always get questions about the writing process. I don’t blame you for asking. I ask other writers about the process, because I’m convinced they have a better way. One of my better known quirks is that I write my first draft of a book in longhand, using a fountain pen, peacock blue ink and Clairefontaine notebooks. It’s not an affectation. I’m a lefty, which means my hand (and sleeve) drag across the page behind the handwriting. But the Skrip ink dries instantly, thus saving my sleeve. The header above illustrates this.
Other Qs about process: The Examiner recently asked me some tough questions. Okay, they weren’t tough. I love answering questions. If I don’t know the answer, I just make stuff up. Don’t judge. I’m a fiction writer:
Q. You hand write your original drafts! Holy Cow…. Why? Do you just like communing with ink? The feel of the paper? You feel more connected to the book? Tell us about your process.
SW: Its a habit I started since before I even knew how to read or write. At age 2-1/2, I used to scribble on paper and tell my mother, “Now, write this down.” And bless her, she did. All my stories were about a girl who was chased up a tree with Bad Things after her. To this day, that’s pretty much what all my books are about.
As a teenager, I lived in Brussels and then Paris…I used to carry around notebooks (cahiers) filled with terrible angsty poetry. Later, when I started writing novels (grad school), I was so broke that I had to use half empty cahiers left over from high school. Since I hated (still hate) to type, I only wanted to type up each page once, so I would get the story down by hand and then transcribe. These days, I use Dragon Naturally Speaking and read the text into the computer. Ann Tyler once said writing by hand is like knitting a book. Its crafty! And you don’t save the wrong version or lose text (unless there’s a house fire). So the habit has stuck with me.
SW: This book was my alternative to being murdered by my daughter. We drove each other crazy during the wedding planning, but discovered that a sense of humor can rescue even the biggest disaster. Elizabeth started a blog which was howlingly funny and went viral, so she brought that snarky voice to the book. As the mom, I got to chime in. Some of the brutal honesty in the book still makes me squirm, but we both found a way to tell the story that every bride (and her mom) can relate to. Even those not planning a wedding will relate to the conflict and craziness of the mother-daughter bond.
Q. It seems you started the way many authors start: by thinking, “Hey, I can do that.” Since you had such great success for so long, besides the obvious advent of e-books, what are the biggest changes you’ve seen in the publishing industry?
SW: Honestly, the essence of publishing hasn’t changed. Since the days of the cave man carving stuff on the cave walls, people have wanted stories, and storytellers have wanted an audience. That is still the case. The changes are really a matter of format. Publishers consolidate, methods of publishing change, but readers and storytellers are forever. Thank God.
Q. Since you so enjoy keeping your toes wet in the teaching pool, if you had to pick the most important piece of craft information you’d like all new writers to take away from a conversation with you, what would that be?
SW: Tell the story that’s in your heart, and don’t hold back. Write a book the reader will want to melt into. And for Gods sake, learn your craft. Do NOT try to publish anything until you have nailed the basics (grammar, spelling, usage, syntax) and the refinements of writing. Readers deserve your very best, always….There are practical techniques a writer can use to keep the pacing of the novel strong, by introducing
unexpected emotions, twists and turns, actions and reactions. You want to leave out the stuff the reader is going to skip, anyway.
Happy New Year to All!