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I’m getting a lot done on my work+fun trip to Australia. Here is one of the best photos I’ve taken. Just a casual phone snap as I was standing in line to visit the Old Melbourne Gaol. (Note to American readers–that word is pronounced “jail.” Swear.)
There is a whole story in this image. The bride, the insanely huge humvee limo, the driver, the groom…and don’t get me started on the wedding party that poured out after. Suddenly I wasn’t so interested in the gaol.
What’s she thinking?
That’s how it works when writing fiction. You think you’re after one thing–some historical details about the outlaw Ned Kelly, for example–but then the world offers you something else.
A story begins where it ends. And it ends where it begins. For me, the key is to follow the emotional pull. And obviously, this image is a lot more interesting to me than Ned Kelly. I’m excited to see where this writing journey takes me.
Where will your writing journey take you today?
Wow, people. I’m thrilled–and also humbled–by your response to Starlight on Willow Lake. The most frequently-asked question about this book is “How did you come up with a character like Faith?” (She’s the protagonist.)
Pleased to meet you!
It’s a good time for me to answer this question, because I’m meeting with a bunch of writers at a Seattle7Writers event on Bainbridge Island. Here is how to make a fictional character seem very real to the reader. Get her talking. Make sure she’s talking in her own voice, not your voice. If you want to write a lot of different characters, you don’t want them all to sound like you.
The key for me is to have her speak in first person–on paper. I’m quirky, as you know, so I write this out in longhand as a free-flowing conversation with my newly-invented character. If you’re a writer, give it a try. If you’re a reader, move on! Go read something wonderful! Then come back and tell us about it!
ANSWER IN THE CHARACTER’S VOICE:
My ordinary world looks like:
The first time the reader meets me, here’s what I’m doing:
My most relatable trait is:
The problem I’m facing right now is:
The thing in my head that’s holding me back is:
The thing in my world that holding me back is:
If I don’t figure out my problem, the consequences are:
Show the reader this image to suggest where the story is going:
My person history in three sentences:
At this moment, I look like:
In school, I was:
The people in my family origin are:
Here’s how I make a living:
Here’s the person I love most in the world:
My favorite thing is:
My least favorite thing is:
I’m aware that I have this personal problem or issue:
My friends and family would say I have this personal issue:
I would finally feel complete if:
The thing I need right now is:
My deepest desire is:
My biggest goal in life is:
I have an emotional wound that stems from:
My greatest regret is:
The way I defend myself is:
My weakness:
My strength:
The single characteristic that could destroy me is:
The single characteristic that could save me is:
What I want the reader to know about me right this moment is:
The one thing that is going to get me going on my journey is:
I’m reluctant to change my path because:
My biggest fear is:
I express that fear by:
If I don’t go on this journey, here’s what will happen:
If I do go on this journey, here’s what will happen:
The greatest danger to me right now is:
My mentor is:
I do have a code of ethics. Here is its, in one sentence:
Something that bothers my conscience is:
Here’s what it would be required to make me take a leap of faith:
My worst enemy is:
My greatest ally is:
In order to achieve my goal, I would be willing to sacrifice this:
The difficult choice he must make as my journey comes to an end is:
My emotional breakthrough would be:
I’ll know I’ve completed my journey and mastered my problem when I _______________________________________________________________________.
Happy Writing!
strengthen your premise; check this out.
Premise in fiction. Your undergrad English professor probably taught you a fancy definition for this concept, but every novelist will tell you this: The premise is the cool thing your book is about.
Simple, right? Like, a crazed fan holds an author hostage and forces him to write a novel (Misery by Stephen King). The lives and loves of best friends through the years (Light a Penny Candle by Maeve Binchy). A forbidden love that lasts a lifetime (The Thornbirds by Colleen McCullough). A Navy wife whose marriage is in crisis learns her husband is missing at sea (The Ocean Between Us by my favorite author).
In The Art of Dramatic Writing (1977), Lajos Egri (who seems to have been obsessed with the concept of premise) states:
“Everything has a purpose, or premise. Every second of our life has its own premise, whether or not we are conscious of it at the time. That premise may be as simple as breathing or as complex as a vital emotional decision, but it is always there…Every good play must have a well-formulated premise…No idea, and no situation, was ever strong enough to carry you through to its logical conclusion without a clear-cut premise.”
I envy the writer who comes up with fantastic ideas again and again, using the same method–listening to music, going for a drive, staring out the window, reading the paper, brainstorming with a friend.
For me, coming up with a premise is like going shopping without knowing what you’re looking for. “I’ll know it when I find it,” you tell yourself. Figuring out exactly what “it” is can be all-consuming. All I know is that “it” will be the driving force that sends me on the longest walk in the world, every day for the next six months to a year–that deathly commute from the couch to the blank page. So “it” had better be good.
The funny thing is, the harder I try, the more elusive “it” becomes. I think myself into a dither. I fiddle with things. I “what-if” myself into a state of confusion. I go on personal quests in search of the Cool Thing.
Sometimes I get lucky. I might discover it as I take my dog for a walk on the beach. Suddenly, I might think, “a child with Aspergers.” And I’ll think about a writer friend of mine and his sweet son, who has this condition, and its curiously gentling effect on the father. Or I’ll be digging in the garden or Windexing the kitchen, two activities that any writer will tell you have enormous appeal when confronted with a blank page. Maybe “it” will smack me upside the head as I stand at the refrigerator with the door propped open, contemplating the merits of leftover mac-and-cheese for breakfast.
Then I’ll have to test the idea in a thousand ways, figuring out what the most compelling elements are. Where will the tension come from? What will the reader see on the page and how will I make myself–and then the reader–happy to be reading it?
For most books, my story premise is cobbled together the way a magpie gathers things for its nest, with a shiny object here, a twisty thread there. At some point, maybe while making a story collage, these seemingly disparate pieces will coalesce into the Great Thing I’ve been seeking, the thing that will consume me through the next year: IT.
How serious am I about nailing the premise of my next book? So serious, we’re having a meeting about it. I’m not kidding. I have a brain trust coming to my house today and we’re going to brainstorm our book premises all day long.
What’s a brain trust? Well, it’s my writers’ group plus the world’s best story consultant, Michael Hauge. Some of you might remember he has a lifelong connection to the place where I live–and I have a rockin’ private guest house. He’s ours for the day. We’re rolling up our sleeves…I’ll report in on our progress. Stay tuned….
nice view, but what’s the real story?
Premise in fiction. Your undergrad English professor probably taught you a fancy definition for this concept, but every novelist will tell you this: The premise is the cool thing your book is about. Simple, right? Like, a crazed fan holds an author hostage and forces him to write a novel (Misery by Stephen King). The lives and loves of best friends through the years (Light a Penny Candle by Maeve Binchy). A forbidden love that lasts a lifetime (The Thornbirds by Colleen McCullough). A Navy wife whose marriage is in crisis learns her husband is missing at sea (The Ocean Between Us by my favorite author). In The Art of Dramatic Writing (1977), Lajos Egri (who seems to have been obsessed with the concept of premise) states:
“Everything has a purpose, or premise. Every second of our life has its own premise, whether or not we are conscious of it at the time. That premise may be as simple as breathing or as complex as a vital emotional decision, but it is always there…Every good play must have a well-formulated premise…No idea, and no situation, was ever strong enough to carry you through to its logical conclusion without a clear-cut premise.”
I envy the writer who comes up with fantastic ideas again and again, using the same method–listening to music, going for a drive, staring out the window, reading the paper, brainstorming with a friend. For me, coming up with a premise is like going shopping without knowing what you’re looking for.
“I’ll know it when I find it,” you tell yourself. Figuring out exactly what “it” is can be all-consuming. All I know is that “it” will be the driving force that sends me on the longest walk in the world, every day for the next six months to a year–that deathly commute from the couch to the blank page. So “it” had better be good. The funny thing is, the harder I try, the more elusive “it” becomes. I think myself into a dither. I fiddle with things. I “what-if” myself into a state of confusion. I go on personal quests in search of the Cool Thing.
Sometimes I get lucky. I might discover it as I take my dogs for a walk on the beach. Suddenly, I might think, “a lonely woman who runs a beachside restaurant.” And I’ll think about why she’s lonely, and what it feels like to own a place where marriage proposals happen on a regular basis. Or I’ll be digging in the garden or Windexing the kitchen, two activities that any writer will tell you have enormous appeal when confronted with a blank page. Maybe “it” will smack me upside the head as I stand at the refrigerator with the door propped open, contemplating the merits of leftover mac-and-cheese for breakfast. Aha, I’ll think. How about a struggling young widow and a bazillionaire?
Then I’ll have to test the idea in a thousand ways, figuring out what the most compelling elements are. Where will the tension come from? What will the reader see on the page and how will I make myself–and then the reader–happy to be reading it?
For most books, my story premise is cobbled together the way a magpie gathers things for its nest, with a shiny object here, a twisty thread there. At some point, maybe while making a story collage, these seemingly disparate pieces will coalesce into the Great Thing I’ve been seeking, the thing that will consume me through the next year: IT.
Do you have a favorite story premise to read or write about? Share below! My inquiring mind want to know.
So my awesome publisher has produced a nice glossy advance-reading-copy edition of STARLIGHT ON WILLOW LAKE.
Lakeshore Chronicles #11, but you don’t have to be familiar with the series to fall in love with this one.
I know all writers will tell you “this book has a special place in my heart,” but this one REALLY does. After you read the dedication page in the front and the acknowledgment page in the back you’ll know why.
It’s a good book club topic. The storyline deals with with tragedy, a person’s role in caring for a parent, and how exploring the past can lead to a whole new perspective on life. Just as bonus, there are dogs, comedy, Balinese cooking, a few cuss words. and love scenes that will curl your toes but not offend your mother. Swear.
You know what’s missing? A reading group guide. I’d love your help with this. What’s the most thought-provoking topic your group has every discussed?
I have 15 copies of the ARC (pub-speak for “advance reading copy”) to give away. Here’s how to enter. Send the name of your book group, along with a contact person and mailing address, to susanmwiggs (at) gmail dot com, and fifteen winners will be chosen at random on May 1. You’ll receive the ARC along with some other goodies for readers to enjoy long before the book gets published.
Sound good?
I hear it from emerging writers all the time. I’ve got a great idea for a novel. I’m going to sit down and write it as soon as I…
- …get my day job under control
- …get my final kid into kindergarten
- …into college …out of jail
- …get my finances in order
- …fix my marriage
- …finish painting the house
- …pay off the car
- …clean the can opener
- …clean the rain gutters
- …get the puppy housebroken
- …retire from my job
- …finish watching the third season of “Weeds”
- …get my Bachelor’s…Master’s…PhD…LLB…MD
- …pay off my student loans
- …read all the Outlander books
- …check in with my nineteen thousand Facebook friends
- …upgrade my computer
- …make tenure
- …landscape the yard
- …take a vacation
- …host my book group
- …teach my teenager to drive
- …finish knitting this sweater
- …forgive my parents …forgive myself
- …get over my fear of failure …get over my fear of success
- …get permission from my parents/spouse/children/therapist
- …hire an agent
- …learn to use the subjunctive case
- …quit worrying about what my family will think of my story, especially the dirty parts
- …stop smoking/drinking/playing online games
- …figure out the business of publishing
- …lose 20 pounds so I look good in my author photo…
You name it, and a procrastinating writer has said it. Here’s a dirty little secret. I hate to be the bearer of bad news, but the cruel reality is this. There will never be a good time to write. Life will always intrude. That’s what life is. Be glad for that. If you have no life, you have nothing to write about.
The good news is, there’s a simple solution. Make time for the things that are important to you. If writing your story is important, make time for it. Simple as that. Turn off the TV, leave the dishes undone, close your e-mail, grab a notebook and pen, and tell your family, “Don’t interrupt me unless your eyes are bleeding.” You’ll be surprised by the respect they give you.
The way you spend your day is the way you spend your life. So quit being your own worst enemy and start being your own best friend. Make time to write, even if you don’t have time.
I have procrastinated my way through the writing of many books. Somehow, the story emerges. The Beekeeper’s Ball hits the shelves next week. There’s a lot of love and food in that book. Let me know what you think.
So after telling you about the process of writing a novel, I promised to talk about cover art. How does a publisher get that sucker all spiffed up and ready for the bookstore?
Oh, so carefully. Most publishers have an entire dedicated art department whose sole purpose is book design–the image, the fonts, endpapers, you name it.
Back when I was self-publishing, I designed my own.
bringing you bad books since the age of 8
Art was not my forte, clearly.
Book cover art is the topic of endless and passionate debate among writers and people in publishing.
Because it matters so freakin’ much. It’s the reader’s first glimpse of your work. You’ve got a split second to grab her attention. And in that split second, you have to convey that a) this is YOUR kind of book and b) it’s a particularly great read and c) she should just ignore all those other books on the shelf nearby that are vying for attention.
How does a book get from the mess on my living room floor…
Barkis is bored. He just doesn’t get it.
…into the reader’s hands?
You need not just a beautiful cover, but the RIGHT cover. For example, this cover is beautiful:
Where’s the romance?
…but it doesn’t scream “sweep-you-away-historical-romance” the way this one does:
Sexy tiiime!
They’re all nicely done, but guess which one sold the best? Yep, the one that looked the most romantic, dramatic and compelling to the reader most likely to enjoy that kind of book.
After the original edition of The Drifter was published, the art department took another look at what my books were about and what my readers love–romance, fantasy, passion. So my next book, THE CHARM SCHOOL, went through a major transformation. Here is the cover-in-progress:
I sent my editor a little thumbnail image from a book of clipart. I just thought it was pretty. The main character was a bookworm with a rich fantasy life, and this image made me think of her:
Thanks to my very smart editor, she got this sketch out of the art department, and I knew we had a winner on our hands:
I was hoping it would turn into a pink valentine of a book because, well, we readers love pink valentines. And Lo:
Now, THAT’s a cover.
Flowers, purple foil, generous endorsement from iconic romance author. It even had a peek-a-boo window with a glimpse at the illustration inside. And although the real Isadora looked like this:
Isadora, the main character of THE CHARM SCHOOL
…she got a makeover for the cover art. This image is inside the front cover. It’s known as a “step-back.”
ready for action
I’m proud to say, The Charm School was my first national bestseller. The book got good reviews, won some awards, made some best-of lists, but I credit the sales to the right cover on the right book.
Oh, and here–with apologies to the redoubtable Erik Larson–is my nomination for the worst book cover ever. On one of the best books, ever.
Foreign edition of Erik’s iconic work, Devil in the White City, with unfortunate cover art.
The Apple Orchard is published. It’s in stores everywhere, starting right now. My amazing literary agent send me a gorgeous bouquet, featuring pink-and-white apple blossoms. As an unexpected bonus, my friend Janet delivered the flowers. Most days, I love my job.
“Wanted: A needle swift enough to sew this poem into a blanket.” –Charles Simic, Serbian-American Poet
I love the little detail on the title lettering.
I wrote The Goodbye Quilt because it was cheaper than therapy. Honestly, I did not expect my daughter’s departure from home to hit me as hard as it did.
The first draft of this novel came out fast, in a matter of weeks, fueled by emotion and a sense of urgency to get the feelings out.
Several years ago, I talked to my agent and great friend Meg Ruley about the book, but the story, like me, was a work in progress. I needed the perspective of time and my cold writer’s eye to transform the story from a self indulgent rumination into a novel readers could truly embrace and relate to.
I also needed to find a way to conclude the story that felt true and satisfying. This is something I struggled with for a long time and when I finally hit on the right ending, it was glad day chez Wiggs. At last, I got it right. I proudly submitted the piece to my publisher, only to hear the dreaded words, “This ending doesn’t work. You have to change it.” After much gnashing of teeth and ritual smearing of ashes, I realized that this was true. Back to the drawing board. The perfect solution came from the perfect source, my own daughter, the ever fabulous Elizabeth Wiggs Maas, now grown and married and an author in her own right.
She didn’t give me the answer, but she reminded me of the true meaning of the goodbye quilt in the story. It is a record of one woman’s days as a mom, and as such, it was an unfinished story.
Whether readers of the novel will agree or not remains to be seen, but for me, it’s the grace note at the end if a long and beautiful piece.
IMPORTANT: You can enter to win a $500 travel voucher to bring your college kid home–or to take you anywhere you want to go. All you need is to find your favorite quote in THE GOODBYE QUILT and you’re good to go. Details to follow so stay tuned!
I’m so excited for people to read this book! I’ve put up a slide show of images here:https://picasaweb.google.com/susanwiggsauthor/TheGoodbyeQuilt# and a video with a beautiful song here:http://www.youtube.com/watch?v=-iFrBbydBAo
At the end of the novel, you’ll fine a spectacular pattern for the original Goodbye Quilt, created by the ever-talented Joan of Cards.
year's best
Everybody’s doing a “Year’s Best” — here’s mine, in completely random order:
- best romance novel to re-read: The Windflower by Laura London (aka Tom and Sharon Curtis)
- second-best re-read: Hummingbird by LaVyrle Spencer
- best best-of list to feature a book by my favorite author (aka, me)
- funniest YA novel: Saving Juliet by Suzanne Selfors (there is some big upcoming news on this book and I can’t wait for Suz to spill the beans!)
- coolest Nora Roberts book: The Hollow
- novel most likely to send you into therapy: Cost by Roxana Robinson
- best sobfest: Last Kiss by Luanne Rice
- funniest: Gods Behaving Badly by Marie Phillips
- most inspiring fiction: Twenty Wishes by Debbie Macomber
- best love-your-body women’s fiction: Bikini Season by Sheila Roberts
- best category romance novel: a tie–The Princess and the Cowboy by Lois Faye Dyer, It’s That Time of Year by Christine Wenger
- best reissued novel for kids: Looking for Bapu by Anjali Banerjee
- most overused device in literary fiction: a dead or missing child 😦
- best serial thriller: Tailspin by Catherine Coulter
- best book you probably haven’t read but should: People of the Book
- stranger-than-fiction nonfiction: Identical Strangers by Elyse Schein and Paula Bernstein
- best photographs: Life: The Classic Collection
- biggest slog but worth the effort: The Story of Edgar Sawtelle
- cutest photographs with coolest story: The Daily Coyote by Shreve Stockton
- best ending: Run by Ann Patchett
- best holiday themed novel: The Letters by Luanne Rice, tied with A Virgin River Christmas by Robyn Carr
- best escape: Still Summer by Jacquelyn Mitchard
- beach read most likely to make you forget you’re at the beach: The Secret Between Us by Barbara Delinsky
- book that’s making all the “best-of” lists that people only pretend to have read: A Mercy by Toni Morrison
- favorite best-of list
- best-of list of books you probably won’t read
- best first novel: Oxygen by Carol Cassella
- best not-yet-published novel: Dog Days by Elsa Watson
- best book about books: Book Lust and More Book Lust by Nancy Pearl
The View From Here 