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Please watch this public service announcement from wonderful authors Mary Guterson and George Shannon. And support your local library! If you’re in the Seattle area, please join us!

Saturday, May 10, 2008

Dinner Reads: A Literary Affair
6:00 p.m.
Contact: (206) 866-1250
A fundraising gala to benefit the Bainbridge Public Library Dinner, wine and words with readings of their own works by highly acclaimed local authors, including Greg Atkinson, Suzanne Selfors, Natalya Ilyin, Susan Wiggs and David Guterson.

Beginning at 6:00 pm with socializing with the evening’s authors and a literary-related silent auction. Emcees: Bainbridge authors George Shannon and Mary Guterson

Wing Point Golf & Country Club
811 Cherry Avenue NE
Bainbridge Island, WA 98110
$100 per person; $1000 VIP table of 10
RSVP at (206) 866-1250
Presented by: Bainbridge Public Library Board Premiere sponsor: Harrison Medical Center

Seattle author Stephanie Kallos is a born storyteller. After all, she grew up in a place where sofas fly–Nebraska’s “tornado alley.” She’s also been an actress, a teacher and a nominee for both a Raymond Carver Award and a Pushcart Prize for her short fiction. Her incredibly charming first novel, BROKEN FOR YOU, was a selection of the Today Show book club, propelling her onto bestseller lists and into book clubs nationwide. Other honors ensued, making this novel one of the most auspicious debuts in publishing–A Book Sense Selection, a Library Journal Best First Novelist of 2005, winner of a 2005 Pacific Northwest Bookseller Association Award and a Quill Book Award finalist for Debut Author of the Year.
So while her talent is not in doubt, none of that tells you how funny and down-to-earth she is. For that, you have to visit her web site and read her bio. Or better yet, meet her in person at the Field’s End Writer’s Conference on Saturday, April 26.
Like most every writer you’ll meet, Stephanie is a lifelong library patron. “I remember the first library my mother took me to in Lincoln, Nebraska–which is where we moved when I was five. It was only a couple of blocks from my father’s office and we would walk there after visiting him.
“They had something called ‘viewfinders’–you see these in antique stores now. You slipped a thick, cardboard card bearing a photo into the back of these goggle-looking devices. They gave a sort of 3-D look to the scenes. I actually wrote a 1960’s-era library scene in my new book and included these – along with a mean-spirited, censorious small town librarian who is absolutely nothing like [Seattle’s über-librarian] Nancy Pearl.”
Regarding that new novel, it’s called SING THEM HOME and is slated for publication from Grove later this year. Stephanie’s working title on the book–for years–was HOPE’S WHEELCHAIR. “My publisher hated that title,” she admits. “In retrospect, I can understand why. Bit of a downer.” Ultimately, her editor’s assistant came up with the final title.
For a long time, Stephanie believed it would be her first novel. The germ of the idea originated with a 1974 National Geographic photo. “Until I was five, we lived in a very small town in southeastern Nebraska in that swath of territory known as ‘tornado alley.’ My mother’s best friend, Hope, lived on a farm a few miles outside of town. In one of those examples of random tornadic behavior, a funnel cloud bypassed the farmhouse across the highway and then drove northeast directly into Hope’s farmhouse, destroying it completely. Hope was home (she suffered from MS and was confined to a wheelchair) along with her youngest child. She was badly hurt, but the baby was found wandering the fields, wearing a diaper, slightly scratched but otherwise unharmed.
“The photo – which was taken in a milo field about four miles away, near Blue Springs – shows a farmer leaning over the remains of Hope’s grand piano. It’s the only thing that came down in any kind of recognizable form. My mother used to say, ‘How can a deep freeze just disappear? How can a refrigerator just disappear?’ This is the kind of magic one lives with in tornado alley. I heard one author describe magical realism as ‘sofas that fly.’ In Nebraska, sofas fly all the time.
“The story centers on three siblings – Larken, Gaelan, and Bonnie Jones – who grew up in a fictional town in SE Nebraska called Emlyn Springs. When they were 13, 12, and 7 years old, their mother Hope was carried up in a tornado and never came down. It’s about the special kind of grief that surrounds such a loss (i.e., one which leaves no gift of bones) and how that grief has resonated throughout their lives and informed their identities.
“I’d like to think that anyone who has struggled with the strangeness of grief will be engaged – and hopefully comforted – by the characters’ journeys.”
Stephanie is a working mother, and juggles family and writing with grace and a writer’s eccentricity. “There are times when I’m at my desk from 9 until 4, a schedule which aligns with when my kids get on and off the bus. There are other days when family obligations mean I can only squeeze in some journal-writing, or tinker with a paragraph, a sentence, the placement of a semi-colon. I do tend to get very grumpy if I don’t set aside time to write at least a little bit every day.
“On the other hand, it’s extremely counter-productive to allow writing to become punitive, an exercise in punching the time card. I really have to guard against that, as I’m somewhat hard-wired for self-punishment. Sometimes inspiration comes when I’m taking an early morning walk, driving to the grocery store, standing in line at Starbucks, or running errands. One must be constantly open for business. When in the middle of a book, I’m really thinking about my characters all the time. If someone makes the mistake of asking me how I’m doing, I usually launch into a description of how my characters are doing; I don’t stop until I notice my friend’s glazed, slightly concerned expression. For me, being a writer involves cultivating a benign form of schizophrenia. I have notepads everywhere; I adopted this practice years ago after reading an interview with Anne Tyler, who raised four kids while writing her early novels. Yes, being a writer consists largely of applying the seat of one’s pants to the seat of the chair, but there’s a quality of attention one must maintain, a continual vigilance/readiness to receive the odd idea/inspiration.”
“In The Year of Magical Thinking, Joan Didion remembers, ‘Had [my husband] not warned me when I forgot my own notebook that the ability to make a note when something came to mind was the difference between being able to write and not being able to write?’”
Stephanie is an avid and eclectic reader. She’s a huge fan of the Salinger oeuvre, Anne Tyler, John Irving’s A Prayer for Owen Meany, The World According to Garp, and The Cider House Rules. “My dear friend Sheri Holman writes brilliant books; I’ve learned so much from her. I’ve also learned a great deal from Myla Goldberg, Ian McEwan, A.S. Byatt. Lately – as I await feedback from my editor on the latest draft of Sing Them Home - I’ve been indulging in thrillers: Chelsea Cain’s Heartsick, and the Japanese novelists. I really like a change-up when it comes to reading.
“In terms of my work on Sing and exploring the landscape of grief, the greatest writer-to-writer gift came from Joan Didion’s The Year of Magical Thinking. My father died suddenly a few months after the publication of my first novel; my mom followed him a year later, almost to the day. Ms. Didion helped me understand why my mother was able to donate all of Dad’s clothes to the Goodwill but left his shoes in the closet: How else would he be able to walk home to her?”
In addition to writing, Stephanie is a knitter. “It’s a tremendously valuable discipline in terms of reminding me of what writing is about and how a book is built: stitch by stitch, row by row, occasionally having to unravel everything you’ve done and start over.”
Stephanie Kallos has a lot more to share. She is this year’s opening speaker at the April 26th conference.

*** CALENDAR ALERT ***SAVE THE DATE

WRITING IN THE GARDEN OF THE GODS
Field’s End Writers’ Conference 2008

WHO: This year’s line-up of authors and speakers includes: Roy Blount, Jr. (keynote speaker), Stephanie Kallos (opening speaker), Knute Berger, Alice Acheson, Lyall Bush, Laura Kalpakian, Thomas Kohnstamm, Rosina Lippi aka Sara Donati, Jennifer Louden, Nancy Pagh, George Shannon, Charley Pavlosky, Sheila Rabe aka Sheila Roberts, Suzanne Selfors, David Wagoner, and Timothy Egan (closing speaker). Professional actor Ron Milton will be on hand for the Page One sessions.

WHAT: Third annual Field’s End Writers’ Conference, “Writing in the Garden of the Gods.”

WHEN: Saturday, April 26, 2008
9:30 a.m. to 6 p.m.

WHERE: Kiana Lodge
14976 Sandy Hook Rd. NE
Poulsbo, WA 98370

DETAILS: This one-day conference, held at the spectacularly beautiful Kiana Lodge near Bainbridge Island, is a combination of lectures and breakout sessions presented by an eclectic group of people in the literary world.

The day offers three groupings of breakout sessions. Guests will select three workshops to attend according to their interest (literary fiction, poetry, nonfiction, screen writing, dialogue, genre, travel writing, editing, journalism, historical fiction, and commercial fiction). Each breakout session will also offer a Page One workshop, where conference guests can anonymously submit the first page of something they’ve written for possible live reading and critique by the guest authors.

Lunch is provided and there will be an early evening wine and cheese reception and book signing providing conference guests, authors, and speakers a chance to mingle. Shuttle buses will be available to carry walk-on ferry passengers to and from Kiana Lodge.

Registration begins February 1, 2008. Early registration is recommended as the conference is limited to 250 guests and has sold out in the past. Cost to attend is $135 if you register before February 28, 2008 and $150 after March 1, 2008. Groups of 5 or more can register for $130/person. To register for the 2008 Field’s End Writers’ Conference, visit www.fieldsend.org.

Founded in 2002, Field’s End is a writers’ community whose mission is to inspire writers and nurture the written word through lectures, workshops, and instruction in the art and craft of writing. Located across the Puget Sound from Seattle on beautiful Bainbridge Island, Field’s End is an affiliate of the nonprofit Bainbridge Public Library, which is located at 1270 Madison Avenue on Bainbridge Island. For more information, call (206) 842-4162 or visit www.fieldsend.org.

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MEDIA CONTACT:
Kirsten Graham
Concept 2 Launch
(206) 890-3435
kirsten@concept2launch.net

kirsten graham
c o n c e p t 2 l a u n c h, LLC
creative consultants
innovation.connections.results
t.206.890.3435
e:kirsten@concept2launch.net
www.concept2launch.net

NoveList is a service you can find at your local library. It’s a reading recommendation database most libraries subscribe to. You can enter the name of an author you like, and NoveList will recommend similar authors. It’s called a “Read-alike” page. You can access it from your library’s web site. Here’s the entry for yrs truly. I really like Lynne Welch’s insightful analysis. Thank you, Lynne, wherever you are!  

Susan Wiggs
by Lynne Welch

Susan Wiggs tackles the tough issues, and she has the awards to prove it. Wiggs, winner of both the Romance Writers of America’s RITA Award and the Romantic Times Career Achievement Award, lives on an island in Puget Sound (Washington) settled by hardy immigrants who lived close to the land and appreciated its value, and many of her stories reflect that nature-centric culture in some way. Her special focus is a woman’s journey to self-awareness, usually within the context of a romance or at the very least, with a romantic subplot. Poignant and tender, her stories focus more on the sexual tension between characters than on its explicit physical resolution, and she describes any personality quirks sympathetically, inviting the reader to join her in gently laughing at the characters’ foibles and follies.

Her protagonists are invariably intelligent, socially awkward, emotionally vulnerable women with a strong core, self-reliant to a fault because they have never been able to depend on anyone else for their security, whether financial, physical, or emotional. By contrast, their male foils — and often nemeses, at least in the beginning — may be bad boys or pillars of the community, but all have generally grown up to be strong, self-confident men who enjoy the women in their lives even while they expect them to fall in line with their plans and their timetables. Wiggs employs character to good effect in building high-stakes conflict within the confines of these relationship dramas. Her readers care deeply about her characters, and Wiggs takes both readers and characters on an emotional roller-coaster ride as the novel develops. Although the storyline centers on the woman’s journey to growth and personal fulfillment, Wiggs enriches the experience by chronicling the perspectives of other male and female characters during pivotal scenes as well.

Setting varies across time and place as well as genre, but is generally limited to the United States in her more recent work. Her Contemporary Romance Lakeshore Chronicles series is set in a fictional small town of the New York Catskills region, while the Historical Romances which form the Calhoun Chronicles and the Chicago Fire series are set in pre-Civil War Virginia and late nineteenth-century Chicago, respectively. Others, such as her contemporary fiction stand-alone title The Ocean Between Us, are focused on Women’s Lives and Relationships and set in the Pacific Northwest. Whatever the location, setting plays an important role and is evocatively described in lush, vivid terminology, creating a world of color, sensation, smell and taste for the reader’s enjoyment.

Pacing is leisurely, as befits these explorations of self-awareness by the protagonists. In many cases, the issue they face is one of having been carried along unresisting on a tide of family and career obligations for too long without stopping to draw breath, and now they are faced with a turning point which offers them a choice. Then the conflict arises because they are not in the habit of examining their own motivations and expectations: Wiggs’s heroines are caught without a plan and must pause to re-group. Description of the interior landscape while the characters mentally thrash out their dilemmas is vivid as well, adding depth and extra dimension to these tales.

The Lakeshore Chronicles, starting with Summer at Willow Lake, are a good introduction to Wiggs’s work for any reader. Avalon, NY, is a former resort for the rich, and the Bellamy family’s long-vacant summer home is now being readied for a Golden Anniversary party. During the course of renovations, daughter Olivia and former bad boy Connor, now the contractor in charge of the project, meet again for the first time in years and, of course, immediately clash. This series has several older heroines struggling with their place in the world to interest readers who enjoy relationship dramas centered around Women’s Lives and Relationships, and the skillful melding of past and present may also intrigue readers of both Contemporary and Historical Romances.

Read-alikes:

Debbie Macomber is another author who writes Contemporary Romances and relationship dramas focused on women’s issues, with a very strong appreciation for the world around her as one of life’s blessings. Her long-running, immensely popular Cedar Cove Contemporary Romance series is set in a fictional small coastal town in Washington State, and each title in the series builds on previous installments but focuses on the lives and loves of mature residents. Start with 16 Lighthouse Road to read them in order. Readers who prefer more emphasis on Women’s Lives and Relationships may want to consider her Blosssom Street series, starting with The Shop on Blossom Street, in which Lydia Hoffman opens her yarn shop in Seattle and starts by teaching a class on How To Knit A Baby Blanket to three women.

Sherryl Woods writes stories of Women’s Lives and Relationships as well as Contemporary Romances centered on family life. She has a gift for capturing the ambiance of Southern living through her multi-faceted characters and her multi-dimensional storylines, all couched in a leisurely, evocative narration deeply appreciative of the loveliness afforded by the culture and landscape of the South. Suggest the Sweet Magnolias series for a heart-warming peek at the lives of three friends, all of whom have grown up together in the same small South Carolina town and now, as they approach 40, are blindsided by changes which will affect not only their own but their families’ and friends’ lives as well. In Stealing Home, the first in the trilogy, Maddie Townsend discovers that her husband has been cheating on her for years, and she’s the last to know. But kicking him out results in her children exhibiting behavioral problems, and when her oldest son starts skipping baseball practice and failing his classes, she finds herself turning to his coach for more than one reason.

Award winning author Deborah Smith is another author who writes Southern-set romantic novels of Women’s Lives and Relationships, but her stories focus on the proud people of Appalachia, their history-rich culture, and the mountains shaping their characters. Both Sweet Hush and The Crossroads Cafe would make good suggestions for fans of Wiggs. In the humorous, easygoing story of Sweet Hush, Hush McGillan lost her husband a long time ago, and now with her children grown she is ready for a second love. By contrast, the emotionally riveting Crossroads Cafe introduces Cathryn and Thomas, both grieving recent losses. Cathryn’s cousin Delta, along with various other supporting characters, uses tactics ranging from the pathetic (requiring their support), to the strident (annoying them into making an effort) to prod them into living and loving again.

JoAnn Ross is well known for her Romantic Suspense, but she also writes emotional tales of Women’s Lives and Relationships. Homeplace and its sequel, Far Harbor, are set in the picturesque, unspoiled small town of Coldwater Cove, Washington. Sheriff Jack O’Halloran and corporate attorney Raine Cantrell tangle for the first time over the fate of her grandmother Ida’s three foster children when Ida ends up in the hospital with dizzy spells. Together with her free-spirited New Age mother Lilith and half-sister Savannah Townsend, Raine must propitiate the judge and welfare worker, while riding herd on three teenagers not predisposed to trust any adult, and dealing with Jack’s unsubtle attempts to involve her in a relationship. A romantic subplot featuring Lilith and Cooper Ryan, the forester who arrests her for indecent exposure when she and her coven celebrate Beltane by dancing around a fire in an old-forest area of the Olympic National Park, adds another layer of complexity to the storyline.

Jerri Corgiat’s O’Malley sisters series provide another good match for readers who enjoy the women’s emotional journeys in which Wiggs specializes. From the first pages of Sing Me Home, when Corgiat introduces the entertaining, exasperating antics of the O’Malley family and the small town laid-back atmosphere of Cordelia, nestled in the picturesque Missouri Ozarks, the reader is steeped in the mystique of the country-rock music scene, contrasted with the down home practicality of a family trying hard just to make ends meet. Jonathan Van Castle is used to being recognized, admired, and pursued, and it’s a real let-down when Lily isn’t at all impressed. But between his estranged children and her meddling family — not to mention his best friend Zeke, the bass player in his band — he soon realizes that Lily has what he wants most: true love, a home, and a family. Lily, on the other hand, is not yet ready to re-enter life, preferring to sequester herself in her late husband’s bookstore in an attempt to carry on his dream, and this story details her journey to self-awareness and a new level of maturity.

Lynne Welch is an Ohio librarian specializing in Readers’ Advisory and Electronic Reference Services.

Today’s guest blog is by a wonderful author and friend, Wendy Roberts:

When people first hear I’m an author, the next question is almost always, “Do you write children’s books?” Since I have four children and I’m relatively “nice” they believe that is a logical assumption. Though when I describe whatever book I’m currently working on, usually there is an uncomfortable pause sometimes followed by them slowly backing away with fear in their eyes. To skip to the nitty gritty, my husband has taken to introducing me at business functions as, “My wife, Wendy, who kills people for a living.” At that, people will laugh politely before quickly excusing themselves or slowly back away.

I write murder mysteries and, yes, I’ve been known to kill someone off while sitting on the sidelines at a child’s baseball game. In a recent interview I talked about my newest book, The Remains of the Dead, and told the interviewer the story was about a woman who cleaned crime scenes for a living and spoke to the dead.  She joked sweetly, “And you look like such a nice person.”

It seems what people really want to know is when does the “nice” side drop away and the savage, murderous side kick in? For me, it’s usually about the time someone cuts me off in traffic. The truth is, I enjoy writing about seemingly ordinary characters and making their lives extraordinary. Although I enjoy adding a comedic element to my stories, I also love to torture my heroine with relationship problems, day-to-day anxieties and then up the ante with a murder or two.

I confess that, yes, I have been known to get my murderous thoughts from my day-to-day dealings in the real world. Who wouldn’t want to take that rude, cantankerous auto mechanic and brutally slaughter him? Ahem. On paper, of course. Now I know you’re a “nice” person because you read Susan’s blog. But, c’mon, who pushed your buttons enough this week that you wouldn’t mind seeing them suffer? Was it the butcher? The baker? That condescending banker?

Last January, I got to spend a weekend with one of my favorite people, author Dorothy Allison. Other than getting the guest house all freshened up for her, I had only light duties, which included fixing Shrimp & Grits for a girls’ dinner party. Dorothy is from South Carolina (remember, her watershed novel is BASTARD OUT OF CAROLINA), so I wanted to make something from her home state. Now, I had never even heard of Shrimp & Grits until last November, when I visited another much-beloved Southern author, Mary Alice Monroe, and her RWA chapter, for a writing retreat. They gave me Shrimp & Grits to eat and I haven’t been the same since. I even brought home some authentic stone-ground Southern-grown hominy grits.

My other duty: Write an introduction for Dorothy and her talk. I didn’t know where to start. Love this woman. Love her books. Her writing speaks for itself:

“I wear my skin as thinly as I have to, armor myself only as much as seems absolutely necessary. I try to live naked in the world, unashamed even under attack, unafraid even though I know how much there is to fear….I tell myself that life is the long struggle to understand and love fully. That to keep faith with those who have literally saved my life and made it possible for me to imagine more than survival, I have to try constantly to understand more, love more fully, go more naked in order to make others as safe as I myself want to be. I want to live past my own death, as my mother does, in what I have made possible for others–my sisters, my son, my lover, my community–the people I believe in absolutely, men and women whom death does not stop, who honor the truth of each other’s stories.” –An excerpt from Skin: Talking about Sex, Class and Literature by Dorothy Allison

Could she be any more honest and brave? Dorothy’s lecture topic for Field’s End was “Scaring the Horses: Writing Those Big Mean Stories.”

Dorothy’s bio reads like one of her novels, only with a happier ending. Born to a fifteen-year-old unwed mother who quit the seventh grade to work as a waitress, Dorothy learned the power and perils of storytelling at a young age. She recalls “hiding out under the porch” and listening to her aunts tell stories, and entering a library or bookstore “with a sense of desperate passion.” Books were her escape from the world. She told Salon Magazine, “To find a way out of the world as I saw it, I read science fiction. To sustain my rage and hope, I read poetry and mainstream novels with female heroines. And I read books by Southerners for ammunition to use against Yankees who would treat me mean.”

The library has long been important to Dorothy. “My most profound library memory was the shock I got after we moved to central Florida and I went to the school library there. I was thirteen and had gotten used to the South Carolina school libraries which were pitiful—full of biographies of generals and judges but not much else. The central Florida Library was enormous and had a world of books I could borrow—novels, poetry and theologies, history books, and my favorite section of the Dewey Decimal system—with all those books on the occult. I tried to check out everything—which earned me a quick note from the librarian to my mama asking if she knew what I was reading. ‘Did I have permission to read those books?’ ‘Let her read anything she wants,’ my mama told the lady. But it took a signed letter to get me the access I wanted.

“I think I scared most librarians – because I wanted to read the books they thought I should not read—the grown-up fiction and those plays by Tennessee Williams and Carson McCullers. But the librarian I worked for when I was in my junior and senior years was a marvel. Mrs. James was fearless and just assumed all young women were like her and wanted to read everything. She was the one who told me about inter-library loan. Suddenly I wasn’t just stuck with what was in the Maynard Evans High School Library. I could request books from other High Schools or even the main library downtown.

“By the time I got to the eleventh grade, I had pretty much exhausted the new books, but Lyndon Johnson’s war on poverty got me an after-school job at the school library where I got to record and accession all the new books. That meant I got to read them first. I am still grateful to Lyndon Johnson, and always will be. He may be known to everyone else for his role in the Viet Nam war, but to me he will always be the man who helped me save money for college and made it possible for me to first read the collected poems of Muriel Rukyeser.”

For Dorothy, the library was “the secret world where I could go hide and fall out of this world and into that other one where anything was possible. It had solid wooden tables, sturdy chairs, carpets and air conditioning. If I could have, I would have moved in and lived there. As it was, it was my home away from home—a refuge and a promise. I used to sit on the floor and lean against the bookcases, lean back and dream about having my own place some day—a place where books would be stacked just as high—novels and anthologies and blank books in which I could write my own poems. The library made me think all that was possible, and it was.

“I think the best thing about the library is and was how it always felt to me—not just that it was the repository of what I loved—books themselves—but that it was a place in which a reverence for the word was implicit. Libraries have always seemed to me temples of wisdom—places where study and quiet concentration were honored, and where wanting to read was admired, not held in contempt. I was the child of a truck driver and a waitress, a girl who lived in a claustrophobic house where both the television and the radio were playing loud all the time. The only books in our house—other than the few that were my own—were the big illustrated Bible and my mama’s collection of Mickey Spillane and Ross MacDonald. It worried my family that I tended to hide in a corner and read so much. I was constantly being told to ‘put down that book and go out and play’. But at the library, no one interrupted me, or if they did, they did it softly and with respect. At the library, reading was holy—which is how it felt to me, how it still feels to me.

“In my house now, I limit my son’s access to computer and video games, but the house rule on books is simple. If he wants to read it, we will try to find it. And we not only go to the library frequently, we donate books to our local libraries all the time. I want the children in my county to have what I always wanted—new novels on the shelves waiting to be read. It’s just lucky that now publishers actually send me many of them, so that I, in turn, can pass them on.”

The Greenville, South Carolina native describes herself as a Southern novelist, feminist, confirmed flirt, femme, expatriate rebel, and born-again Californian. In a 1999 Salon interview, Dorothy says, “I was born to a very poor, violent family where most of my focus was purely on survival, and my sense of self as a lesbian grew along with my sense of myself as a raped child, a poor white Southerner and an embattled female. I was Violet Leduc’s Le Batard much more than I was Le Amazon, that creation of upper-class Natalie Barney. People tell me that class is no longer the defining factor it was when I was a girl, but I find that impossible to fully accept. Class is always a defining factor when you are the child one step down from everyone else.”

At the age of thirteen, she “…was always calculating how to not kill myself or how not to let myself be killed. That tends to stringently shape one’s imagination. I did not plan to fill up a hope chest and marry some good old boy and make babies….I was a smart, desperate teenage girl trying to figure out how to not be dismissed out of hand for who I was. I wanted to go to college, not become another waitress or factory worker or laundry person or counter-help woman like all the other women I knew. Everywhere I looked I saw a world that held people like me in contempt.”

After winning a National Merit Scholarship, Allison attended college and went on to study anthropology at the New School for Social Research. But storytelling was in her bones, and that, combined with an awakening feminist spirit, informs and inspires her award-winning work. For Dorothy, feminism “…was like opening your eyes under water. It hurt, but suddenly everything that had been dark and mysterious became visible and open to change.” The author believes her first book, The Women Who Hate Me, (1983) “wouldn’t have happened if I hadn’t gotten over my own prejudices, and started talking to my mother and sisters again.”

Her literary influences are surprising. One was Flannery O’Connor — “that astonishing, brave visionary who told hard truths in a human voice — an outsider holding a whole society up to a polished mirror. She was as ruthless as one of her own characters, and I loved her with my whole heart…If I set aside Flannery O’Connor, I would have to say that science fiction made me who I am today. I spent my childhood buried in those books. Every science-fiction novel I fell into as a child…widened my imagination about what was possible for me in the world. There were those perfectly horrible/wonderful stories about barbarian swordswomen who were always falling in love with demons, and there were the Telzey stories and the Witch World books and countless brave and wonderful novels told from inside the imaginations of ‘special’ young girls….On another world, in a strange time and place, all categories were reshuffled and made over.”

Dorothy’s novel, Bastard Out of Carolina (1992), skyrocketed her to fame, boosted by a full page in the New York Times Book Review which proclaimed the novel “as close to flawless as any reader could ask for,” lauding the author’s “perfect ear for speech and its natural rhythms.” The Boston Globe her “one of the finest writers of her generation.” The novel rose to the top of national best seller lists and has been translated into more than a dozen languages. It was adapted and made into an award-winning and controversial movie, directed by Angelica Huston.

“In my family,” Allison says, “…we all commit some unforgivable sin and then spend the rest of our lives trying to redeem it in some fashion. And the romance of self-destruction: I truly do not know why some of us can resist it and some of us can’t, why some of us kill our children and some of us try to send them whole into the world.”

Dorothy serves on the boards of PEN International, the National Coalition Against Censorship and Feminists for Free Expression, and the advisory board of the James Tiptree Jr. Memorial Award, presented annually to a science fiction or fantasy work that explores and expands on contemporary ideas of gender.

Her advice to writers is succinct: “You learn to live with uncertainty and poverty if you are going to be a writer. I’m still very blunt: If you want to be a writer, get a day job. The fact that I have actually been able to make a living at it is astonishing. I know so many great writers who can’t and, oh, it is not about justice. I am trying to carry it off with grace and a sense of humor.

“Understand me,” she writes. “What I am here for is to tell you stories you may not want to hear….And to scare hell out of you now and then. I was raised Baptist, I know how to do that.”

Some of Dorothy Allison’s Favorite Books

Rubyfruit Jungle by Rita Mae Brown.

Sula by Toni Morrison – “I remember…how this great grinding noise went through my brain. Of course, I thought.”

Member of the Wedding by Carson McCullers.

My Antonia by Willa Cather.

The Persian Boy, Fire From Heaven and The Friendly Young Ladies by Mary Renault.

Odd Girl Out and Beebo Brinker by Ann Bannon.

Patience and Sarah by Isabel Miller.

The Female Man by Joanna Russ.

The Life of Poetry by Muriel Rukyeser.

…Make LEMONADE CAKE.*

I put two recipes on my web site this summer, along with the promo for my August book, Dockside:

The small Catskills town of Avalon, New York, on the shores of Willow Lake, is what I think of as a “Velveteen Rabbit” of a place. It has become real because we love it there. Thanks to everyone who has visited my fictional town in the Lakeshore Chronicles. Dockside is a story for everyone who’s ever dreamed of making a life at an idyllic lakeside inn. Researching this book, I met so many innkeepers who shared not only their passion for hospitality, but some pretty amazing innkeeping secrets as well.

Each section of the book is introduced by a snippet about the Inn at Willow Lake, followed by a hospitality hint from a working innkeeper. They’re little grace notes, the sort that make a guest’s stay just a little sweeter. But the real sweetness comes from the unexpected romance of single dad Greg Bellamy, and the town’s former mayor, Nina Romano. In fact, expecting the unexpected is a major theme in this book.

News

• Thanks to all for asking about Just Breathe, originally scheduled to be published in 2006. It is now tentatively slated for September 2008, and I promise, it is worth the wait!
• By popular request, I’ve added a link to the recipes from my books. Finally! Click here: http://www.susanwiggs.com/recipes.shtml
• As always, you’re invited to join in at the message board. If you have a question, ask it there, and I promise to respond right away. Since it’s a public forum, pride compels me to be prompt so I don’t look like a slacker.
• Also, please check out “The View From Here” (Themed photo shows, including   Barkis the Wonder Puppy, at www.susanwiggs.shutterfly.com).
• My local bookstore, Eagle Harbor Book Company, will send autographed copies of my books anywhere you want, personalized however you like. Check it out here: Eagle Harbor Book Company.
• You can get a Printable List of my books, which includes related books and series by clicking this link: Printable List.
• You can also subscribe to my occasional newsletter by sending a blank e-mail to Words4Women-subscribe@yahoogroups.com.
• Check out the most mysterious site on the Web at www.purpleamoeba.com.
• And below, the promised recipes. Enjoy!

Happy Reading,

Susan Wiggs

*Note: I couldn’t make up my mind which recipe to post here, so I’m giving you two. Please, try them both. They’re unbelievably delicious:

LEMONADE CAKE

• 6 oz. can frozen lemonade concentrate
• 1 pkg. lemon cake mix, without pudding
• 3/4 c. sugar
• Small package lemon-flavored instant pudding
• 3/4 c. water
• 4 eggs
• 3/4 c. cooking oil

Mix lemonade concentrate with sugar and stir well. Mix the remaining ingredients and beat with electric mixer for 3 minutes. Bake in greased and floured 9×13 pan for about 35 minutes or until done when tested. While cake is still hot poke holes all over cake with large fork and pour lemonade glaze (1T lemon juice + 1 cup powdered sugar) over top. Leave in pan until cool. Dust with powdered sugar. If you’re feeling artistic, lay a stencil on the cake and then dust with the sugar to make a pattern.

ICEBOX LEMONADE CAKE

• 1 prepared angel food cake
• 1 quart vanilla ice cream
• 1 6-ounce can frozen lemonade (keep this semi-frozen–slushy)
• 1 small carton Cool Whip, flavored with ½ tsp. lemon extract
• grated lemon peel, for garnish

Slice cake cross-ways into three even layers. Soften ice cream just enough to thoroughly fold in the lemonade. Spread the bottom layer of the cake with ice cream. Add the second layer, spread with the remaining ice cream. Add third layer and spread entire cake with the Cool Whip. Freeze cake in the freezer. Take cake out of the freezer about half an hour before serving time. Garnish with grated lemon peel.

“Wiggs’s uncomplicated stories are rich with life lessons, nod-along moments and characters with whom readers can easily relate. Delightful and wise, Wiggs’s latest shines.”

–Publishers Weekly review of Dockside

Publishers Weekly weighs in on Dockside:

“Wiggs returns to the town of Avalon, N.Y., and the shores of picturesque Willow Lake with the fourth* installment of her popular Lakeshore Chronicles (after The Winter Lodge)….Wiggs’s uncomplicated stories are rich with life lessons, nod-along moments and characters with whom readers can easily relate. Delightful and wise, Wiggs’s latest shines. (Aug.)”

[*This is one vigilant reviewer! It's the fourth Lakeshore Chronicles title. Technically, the second was "Homecoming Season," a novella in the anthology More Than Words 3. I'm very flattered that the reviewer noted that.]

Aaaannd…a propos of nothing, what do the following places have in common?

1. Surprise, AZ
2. Maple Grove, MN
3. Fort Myers, FL
4. Edina, MN
5. Rochester, NY

Answer? They are the top 5 cities for selling Wiggs books at Barnes & Noble. I’m now on a mission to visit each one of these cities!

My author copies have arrived. I even know when Dockside will appear in stores, because there is a sticker on the packing boxes:

The label says, “This box contains Dockside by Susan Wiggs. DO NOT DISPLAY until July 24, 2007.” I cheated a little. Sent an early copy to my mom and Carly Phillips’s mom.

I’m marking my calendar. The idea behind the street date is that the book will go on sale all over North America on the same day. Very smart move by my publisher.

I can’t go this year. I am chained to the computer, working on the Book That Will Not End. Here is an entry I wrote about the book show last year. I put it up on another blog site where it languished in unread obscurity. Maybe there’s a reason for that, who knows. But this is a post about BEA 2006:

BEA (Book Expo, held this year in Washington DC) was fabulous–three days of frenetic conventioneering. Stayed at the Mayflower where, 22 years ago, I got pregnant, so Jay was not allowed to come this time. I hadn’t been to DC since I was the national speaker for RWA in 2000, and the whole atmosphere is different, thanks to 9/11. There were barricades, security & political protests everywhere. Impeach Bush logos everywhere you look (including in the Washington Post). You can be walking down the street, and suddenly they’ll close it and make you go somewhere else. I saw a motorcade of a dozen black SUVs, Mary Cheney & Newt at the show and that was the extent of politics for me. Loved the international spy museum. “Embassy Row” — a neighborhood — is one of the most beautiful places on the planet.

I had a booth signing and a chute signing. Giving away books is the ONLY way to have a booksigning. I wish it could be that way every time. I gave away ARCs of SUMMER AT WILLOW LAKE with friendship bracelets (summer camp theme) to hundreds of appreciative librarians and booksellers. [NOTE: This year my publisher is giving away Dockside.] Attendees are all so earnest and supportive–gives you hope for the book industry. Note: who knew people coveted friendship bracelets? I ran out quickly. Publicist was clever at matching the bracelets with people’s outfits.

Familiar faces–Some of my favorite people–Kathy Carmichael! Shirley Hailstock, Heather Graham & her husband, Carla Neggers, Christina Skye, Sandra Kitt, MJ Rose, Susan Grant, Gayle Wilson, Jill Limber, Hope Tarr, Linda Seger, Alfie Thompson, Bruce Wilder, Nora Roberts…all people I love and never get to see. Dinner at the Westchester at Grove Park. It’s a 1920s luxury residence, and the restaurant used to be the dining room for the residents. You can get escargots and a grilled cheese sandwich, anything you want. We had an impromptu home tour of Katherine Neville’s incredible vintage apartment, which was unforgettable. This is thanks to my agent, who is so friendly and lovable that everyone just wants to hang out with her. I had a lunch with the president & vp of Harlequin. We went to a Turkish restaurant so exotic I can’t even spell the name of it. I adore these women, love their smarts, their focus and their taste in shoes. I got to share news of the feature film option & we toasted iced tea. There was a Harlequin party at Maclean Gardens for industry people–a different crowd from the usual romance event. Many more boys. PW staff. Lots more drinking, less dancing. I was impressed that, with so many parties to choose from, people picked this one. The party dessert was cupcakes that are world famous. I never thought a cupcake could bring me to ecstasy. I was wrong.

Booths & ARCs:

• I got the new Sally Beauman (I’ve always loved her books) from Warner.
• Golden Country by Jennifer Gilmore (S&S) — they are so enthusiastic about this book–a saga. Lovely folks in a friendly booth.
• a new Donna van Liere (sp?) from SMP (she does the wildly popular Christmas books). People at SMP are very warm & welcoming.
• Losing our Democracy by Mark Green (political books were EVERYwhere)
• the new Lisa Tucker from S&S — love her books. LOVE THEM so I’m excited about this one.
• Lights! Camera! Fiction! by Alfie Thompson (a writing book with an intro by Michael Hauge)
• Jesus Rode a Donkey: Why Republicans Don’t Have the Corner on Christ by Linda Seger
• Bertelsman booth was gigundo. I visited with a couple of editors, realizing that if you stick around long enough in this business, you meet everyone.
• I think S&S seemed to be giving away the most books and ARCs, my impression, anyway.
• The big book of the show seemed to be THRILLER, the anthology from MIRA.
• Recorded Books - my audio publisher. I was glad to meet them and effuse about THE OCEAN BETWEEN US reader  who did such a good reading. There are lots of innovations in audio, including a disposable listening book.
• I met Elizabeth Flock, who is as nice as she is adorable, but we were signing next to each other and barely had a chance to talk.
• The RWA booth was adorable, set up like an Italian cafe. I didn’t love where it was located but people seemed to be finding it. They were giving away members’ books and info.
• I bought a book (memoir) from a Holocaust survivor, Jack Ratz. It was an incredible moment.

On the down side–I did not bring the good camera (too bulky).

People at the show looked exhausted on Sunday. I went to a museum with a writer friend from Maui, had lunch with some people from Mira, then flew home and made the 9pm ferry. Streak cried like a baby. Jay had cleaned the house, Jay-style. I have a very intimidating e-mail queue but I’m slowing getting through it.

Jayne Ann Krentz once lived every reader’s nightmare. “I grew up in a small town — so small that it didn’t have a public library. There wasn’t a library at school, either,” said the writer in a recent interview. “But we by golly had a twice-monthly bookmobile and I was probably its most faithful patron. To this day I’ve got a soft spot in my heart for bookmobiles. Whenever I see one I still get that same little rush of anticipation that I felt when I was a kid on Fridays when the van pulled into the school parking lot.”

That “rush” had a lasting effect on Jayne Ann Krentz, now the author of more than thirty New York Times bestsellers. Her latest is The River Knows, which PW calls “an alluring combination of foggy nights and steamy afternoons.” With over 30 million books in print, she has been gathering loyal readers for years with her unique blend of humor, sex and romantic suspense. Whether she is romancing the past as Amanda Quick, the present as Jayne Ann Krentz, or the future Jayne Castle, she writes compelling stories of love between strong, intelligent men and women.

In addition to her work in contemporary and historical romance fiction, Krentz is the editor and contributing author of an acclaimed critical volume, Dangerous Men and Adventurous Women: Romance Writers on the Appeal of the Romance, which won her the Susan Koppelman Award for feminist studies from the Women’s Caucus of the Popular Culture Association and the American Culture Association.

The latest in Jayne’s “supremely addictive tales” (Booklist) is White Lies, in the Arcane Society series. Jayne hopes her novels will appeal to people who love romantic-suspense with a touch of the psychic thing. “It’s certainly my favorite genre,” she adds, “both as a reader and as a writer.”

Jayne and her husband have lived in downtown Seattle for about twenty years. “I’m within walking distance of the Pike Place Market and Nordstrom’s. It doesn’t get any better for a mostly vegetarian person who loves to shop.” A typical day for the writer is fairly routine. “I’m a morning person. That means that whatever raw, creative work I’m going to do that day usually gets done by noon or it doesn’t get done at all. The afternoons are devoted to research, shopping and cooking (not necessarily in that order). But writing a book is an all-consuming job for me. Even when I’m away from the computer, I can’t get away from the book. It’s always there in my head, nagging at me. At night I frequently dream about plot problems — when I’m not lying awake staring at the ceiling and thinking about them, that is.”

Something about that early bookmobile experience must have left its mark, because Jayne maintains a lifelong personal connection to libraries. After getting a degree in history from the University of California at Santa Cruz, she went on to San Jose State University and earned a masters in library science. She worked mostly in academic and corporate libraries. “I also spent one memorable year as an elementary school librarian, an experience that I can only describe as an unmitigated career disaster,” she confesses.

However, her support of libraries has been unstinting. In 1997, she contributed a generous endowment to found the Castle Humanities Fund at UCSC. Interest from the fund, established in Krentz’s maiden name, enables the library to acquire books in the humanities that it would not be able to purchase otherwise.

“For me libraries are the quintessential attribute of civilization,” says Jayne. “They connect us to our past, present and future as no other human institution can.”

Samplings From Jayne’s Favorite Genre–ROMANTIC SUSPENSE

Elizabeth Lowell: RUNNING SCARED. We’re talking eerie Druid gold and the dark glamour of Las Vegas.

Stella Cameron: COLD DAY IN JULY. Murder and steamy old secrets in a small Louisiana bayou town. Another Northwest author.

Jennifer Crusie: FAKING IT. A very clever, very funny, very modern take on the To-Catch-A-Thief style story.

Laura Joh Rowland: THE PILLOW BOOK OF LADY WISTERIA. The latest in her terrific series set in 17th century Japan featuring a Samurai detective and his lady wife.

Lynda S. Robinson: DRINKER OF BLOOD. The most recent in her intriguing Lord Meren series set in ancient Egypt.

‘Tis done. We talked, sang, laughed, cried, created, learned, ate and had an incredible day at the Field’s End conference. Thanks to all the amazing speakers and writers who participated. Special thanks to the Bainbridge Island Beach Cottage for providing accommodations. There’s a slide show of the event here. Happy writing to all!

Authors Carol Cassella, Michael Donnelly, Mickey Molnaire at Kiana Lodge.

“I’ve always wanted to write a novel…”

I hear this a lot. It comes as no surprise to me because I truly believe everyone has a story to tell. But only a few end up actually doing it–getting their stories down and then sending them out into the world. Which ones actually pick up pen and paper, or fire up their computers and actually go for it? There’s such power in taking action on your own behalf, in finally saying, “Today’s the day.”

I have a little card stuck on the bulletin board in my study with a handwritten reminder: “This is your shot.”

Don’t take my word for it. Here’s a quick note from Mary Guterson, author of We Are All Fine Here.

“In college, I didn’t know what to do with myself so I became a speech therapist. I figured I could work in the schools, have my summers off, and make enough money to live off of until some Hollywood director discovered me and made me into a movie star. I’d always wanted to be a movie star. Turned out no Hollywood directors were seeking their next discovery in the halls of my suburban Seattle elementary school. Turned out also, I didn’t care for other people’s children. Major career mistake, any way you looked at it.

“One day, a friend of mine pulled a draft of a novel she’d written out of a drawer and handed it to me. I couldn’t believe it. An entire book, written while I’d been doing my best to enjoy the world of lateral lisps and teachers’ lounges. For years, I’d dreamed of writing, but it had always seemed an impossible dream, as unlikely as my becoming a movie star. Who could just sit down and write a book? I stared at my friend’s pile of typed pages. Then I went home and gave it a shot….”

So there you go. What have you done for the writer in you today?

Oh, I deeply love getting an e-mail attachment from my editor when they’re working on cover art for my book. It’s really the first time you get to “see” your book as something other than scribbles on a page. Here’s the setting you created, or the mood, and sometimes even the characters. The versions below will be tweaked a lot before the book is ultimately published in February 2008, but here’s a sneak peek.

First, a version (also subject to change) of the back cover copy of the paperback:

Elsa Watson is proof that you can have a gentle soul, a rapier wit and a fierce intelligence all at once. Could be it’s that degree in Classics from Carleton, combined with service in the Peace Corps, where she and her husband served for two years in West Africa, in Guinea-Bissau, and her tireless work on behalf of West Sound Wildlife Shelter.

In Africa, to pass the long evenings, she tapped into her passion for old stories and myths, and began writing stories of her own. “By the time we returned,” Elsa explains, “I’d finished a few ‘practice books’ and knew I’d found something I loved to do. In 2001, I took my first stab at historical fiction and the pieces began to fall into place. I love balancing my days between research and writing, digging up details about what life was like eight hundred years ago.”

Currently, Elsa is working on two historical novels–The Thieves’ Handbook and The Pirate’s Apprentice, both featuring strong, smart young women who are down on their luck. Crown Books published Maid Marian, a stunning first novel Booklist calls “an intriguing new twist on an old legend.”

A winning blend of action/adventure and female empowerment, Maid Marian gives us her side of the Robin Hood legend, beginning when Marian is a child, long before she meets the famous outlaw of Sherwood Forest. The story is set in medieval times, during the reign of Richard the Lionheart, and follows Marian from Warwick castle to Sherwood and beyond. “Because she was born both an orphan and an heiress,” Elsa explains, “Marian is an unusually independent soul. She struggles through the intrigues of court life and regents, and more than once comes face to face with the imposing Eleanor of Aquitane. Marian’s wits and courage are her best assets, and she uses these to create the future she wants for herself.”

The author was inspired by curiosity about the legendary character. “Maid Marian has intrigued me since childhood. I’ve always been a fan of the Robin Hood story, but I could never understand why so much of the attention went to Robin, and so little to Marian. It struck me as strange that her name is so well known, yet no one has a sense of her character beyond her role as Robin Hood’s consort. Once it occurred to me to write her story myself, I couldn’t let go of the idea. I wanted to show how complex her own life might have been, and how she might have struggled with the choices she made.”

The novel is bound to appeal to anyone who loves historical fiction or an old-fashioned romance. “It’s a great choice for young women, since it involves a young heroine who has the will to shape her own destiny,” Elsa says. “Maid Marian is set in England’s Midcountry during the late twelfth century…Tensions ran high during this time–a huge class division separated the ruling Normans from the Saxon underclass. Taxes were also very high, since King Richard needed to finance his Crusades into the Holy Land. Marian sees a great deal of the land and falls in with people from differing classes. She is therefore able to compare castle life with small village life or with the hidden camp in Sherwood forest.”

Elsa approaches the writing process in shifts. “First I spend a month or so on research only, bringing home huge stacks of books from the library on everything from clothes to food, weapons, and animal husbandry. Next, once the story is roughly planned, I’ll begin writing. I write each morning until I’ve finished about six book pages, then I spend the afternoon doing follow-up research and planning out the next day’s writing. And last comes the editing process, in which scenes are cut, scenes are added, and many, many paragraphs are rewritten. It’s a wonderful thing, really, to be able to spend weeks and months shaping a story into whatever it ought to be.”

The library is a key player during the process. “I would be sunk without our library. When I’m researching, I have regular moments of panic that the librarians will see me coming with my huge stack of books and flee the building. But so far, so good! No one batted an eye even when I ordered the Young Sea Officer’s Sheet Anchor five different times over as many months while I was working on a book about pirates. I needed it desperately, but it was popular - I kept having to turn it in so other people could have it, then put myself back into the hold queue.

“I make good use of the inter-library loan system, which lets you order books from all over. I also love the children’s section. I always begin researching a time period there, since kid’s books give such a wonderful overview (and include pictures!). The OED [Oxford English Dictionary] is a real treasure for historical fiction, since it can tell you when words were first used in written English. Lately, I’ve begun to make use of the library’s database system and am looking up New York Times articles from 1916!”

Want to meet Elsa (who is one of my favorite people in the world, btw)? She’s teaching a workshop at the Field’s End conference on April 28. She is irresistible! To visit Elsa online, go to www.elsawatson.net.

Women Take Center Stage:

Author Elsa Watson Recommends…

I, ELIZABETH by Rosalind Miles. “A wonderful, first-person account of Elizabeth I’s life, including the dramatic events within her own family and court.”

PERSUASION by Jane Austen. “Seven years after she turned him down, Anne Elliot meets her former suitor, Captain Wentworth, when he returns from the Napoleonic Wars.”

WIVES AND DAUGHTERS by Elizabeth Gaskell. “A touching, wide-ranging novel that follows half-sisters Molly and Cynthia through the complexities of English society.”

A ROOM WITH A VIEW by E. M. Forster. “Whether in Florence or southern England, Lucy Honeychurch struggles with the same question - to follow convention or her own heart?”

MY ANTONIA by Willa Cather. “Experience the hardships and joys of immigrant life in 1800s Nebraska.”

You know who she is, that angsty girl who stayed up late and cried a lot and lived a deep inner life all through high school. She kept journals and never showed them to anyone. She wrote lines like “i am the moon in the water/stillness surrounded by skim milk…” Okay, maybe you didn’t write stuff like that but I know one teenage girl who did. On second thought–if you say you didn’t write stuff like that, you’re fooling yourself. But here’s the good news. You’re not alone.

+++

My writer profiles on this blog are starting to look like a Gallery of Hotties, which believe me, is not intentional. I just happen to know a bunch of writers who are talented and hot, and they would probably hate me for saying that, but it’s my blog, so there. And stay tuned, because there are more where these came from. In some ways, Kelli reminds me of Garth, in that she is accomplished as well as gorgeous and talented, and yet instead of wanting to set her hair on fire, you find yourself liking her. A lot. And wishing you could meet her. (Which you can.)  

The original interview with Kelli was done by Jeannine Hall Gailey, a Seattle-area writer whose first book of poetry, Becoming the Villainess, was published by Steel Toe Books. Poems from the book were featured on NPR’s The Writer’s Almanac, Verse Daily, and will be included in 2007’s The Year’s Best Fantasy and Horror. Her work has appeared in The Iowa Review, The Evansville Review, and The Columbia Poetry Journal. She’s currently helping edit Crab Creek Review.  This interview was previously published in Rock Salt Plum. I’m reprinting Kelli’s comments in their entirety because it’s all just so good. Enjoy!  

Kelli Russell Agodon was born and raised in Seattle and educated at the University of Washington and Pacific Lutheran University where she’s recently completed her Master of Fine Arts Degree in Creative Writing.  She is the author of two books of poems, Small Knots (Cherry Grove Collections) and Geography, winner of the 2003 Floating Bridge Press Chapbook Award. She is the recipient of two Artist Trust GAP grants, the William Stafford Award, the James Hearst Poetry Prize, as well as a Puffin Foundation Grant for her work towards peace with her international poetry broadside series: The Making of Peace. Her poems have appeared or will soon be appearing in places such as The Atlantic Monthly, Prairie Schooner, Meridian, North American Review, the print version of Poets Against the War edited by Sam Hamill and on NPR’s “The